藏品前线第37期：古玉背后的故事

2014-08-18 14:12

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标签：藏品前线收藏古玉

玉石收藏如今对国人来说已经很常见了，而国人对玉石的收藏价值的评价上，除了材质的稀有、雕刻技术的精湛外，其物质价值背后的文化内涵价值往往成了区别和提升玉石价值的很重要的一个方面。本期《藏品》，网易财经带你初探玉石文化，看看古玉背后的故事。

藏品前线第37期：古玉背后的故事

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藏品前线第38期：扑克牌收藏…

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                "prevue": "玉石收藏如今对国人来说已经很常见了，而国人对玉石的收藏价值的评价上，除了材质的稀有、雕刻技术的精湛外，其物质价值背后的文化内涵价值往往成了区别和提升玉石价值的很重要的一个方面。本期《藏品》，网易财经带你初探玉石文化，看看古玉背后的故事。",
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                   "note": "玉石收藏如今对国人来说已经很常见了，而国人对玉石的收藏价值的评价上，除了材质的稀有、雕刻技术的精湛外，其物质价值背后的文化内涵价值往往成了区别和提升玉石价值的很重要的一个方面。本期《藏品》，网易财经带你初探玉石文化，看看古玉背后的故事。",
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                   "note": "玉是矿石中比较高贵的一种。中国古人认为玉是光荣和幸福的化身，刚毅和仁慈的象征。一些外国学者也把玉作为中国的“国石”。图为清朝时大臣们送给康熙皇帝的福寿双全玉雕。",
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                   "note": "中国人对玉石的使用自新石器时代至今7000多年，深深融合在中国传统文化与礼俗之中,充当着特殊的角色，并打上了政治的、宗教的、道德的、价值的烙印。 图为北京神玉艺术馆门厅中的“虎啸山河”青玉摆件，采用圆雕、浮雕和部分镂空雕的工艺技法，虎呈行走状，体魄强健，寓意“自强”。",
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                   "note": "国人雕刻玉石时总会有融入一定的故事，上图为清代慈禧太后的“雪中送炭”翡翠摆件，也是北京神玉艺术馆的展品，“雪中送炭”的典故来源于楚怀王，相传在战国时，冬天下起大雪，楚怀王点上炉火穿上皮袄还觉得寒冷，推己及人，他下令给全国的贫苦百姓送去取暖的木炭。摆件的收藏者用该玉石来寓意“仁爱”。",
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                   "note": "慈禧的“和合二仙”黄玉摆件。荷叶合起来，暗合“和合”之意。",
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                   "oimg": "http://img4.cache.netease.com/photo/0025/2014-07-28/A28RO2NJ56EG0025.JPG",
                   "osize": {},
                   "title": "",
                   "note": "明嘉靖年间的马上封侯白玉摆件，马背上蹲着一只手持桃子的猴子，用同音和隐喻的手法借物抒怀，马上代表即刻，猴通侯，即做官。",
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                   "title": "",
                   "note": "图为清代的并蒂白玉花插，并蒂花朵造型，加以成对螳螂，谐取“好事成双、百年好合”之美。",
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                   "note": "清代的“刘海戏金蝉”和田青玉摆件，刘海戏金蝉典故出自道教，寓意财源兴旺，幸福美好。",
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                   "osize": {},
                   "title": "",
                   "note": "图为清代的“老子出关”青玉摆件。",
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                ,
                {
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                   "osize": {},
                   "title": "",
                   "note": "古人也爱用玉来明示哲理，图为清代的“大象无形”青玉摆件，藏家称，它蕴含的是包罗万象，浑然一体的古代哲学思想。",
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                   "title": "",
                   "note": "封建时代，稀有而雕刻精美的玉石常常成为身份的象征，皇权贵族家里身上几乎都会有玉石来点缀衬托其高贵身份。图为春秋战国时期的青白玉五彩沁牲尊，据悉价值连城。",
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                   "note": "图为汉代的青玉七龙碧。汉代时期，用玉仍然是统治阶级的专利，天子用数九，诸侯用数七，该碧为皇亲国戚或诸侯级别人物所有。",
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                {
                   "id": "A28RO03O56EG0025",
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                   "oimg": "http://img3.cache.netease.com/photo/0025/2014-07-28/A28RO03O56EG0025.JPG",
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                   "title": "",
                   "note": "汉代的青玉“一言九鼎”。",
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                }
            
                ,
                {
                   "id": "A28RO6TH56EG0025",
                   "img": "http://img3.cache.netease.com/photo/0025/2014-07-28/A28RO6TH56EG0025.jpg",
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                   "oimg": "http://img3.cache.netease.com/photo/0025/2014-07-28/A28RO6TH56EG0025.jpg",
                   "osize": {},
                   "title": "",
                   "note": "图为清代乾隆年间的贴金彩绘和田青玉四方瓶，据悉工艺极为复杂，为宫廷封赏品。",
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                {
                   "id": "A28RNUBQ56EG0025",
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                   "oimg": "http://img4.cache.netease.com/photo/0025/2014-07-28/A28RNUBQ56EG0025.JPG",
                   "osize": {},
                   "title": "",
                   "note": "古代人迷信，认为玉有防妖避邪的作用。因此常常将玉石雕刻为传说中的神兽样貌来辟邪。图为汉代的青玉龙龟，原型为“龙生九子”传说中的龙子之一。",
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                ,
                {
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                   "oimg": "http://img3.cache.netease.com/photo/0025/2014-07-28/A28RO0VL56EG0025.JPG",
                   "osize": {},
                   "title": "",
                   "note": "图为汉代的青玉兕首角形杯，为古代礼仪用品或陪葬品，造型也是从神兽转化而来。",
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                }
            
                ,
                {
                   "id": "A28RO5CU56EG0025",
                   "img": "http://img4.cache.netease.com/photo/0025/2014-07-28/A28RO5CU56EG0025.jpg",
                   "timg": "http://img4.cache.netease.com/photo/0025/2014-07-28/A28RO5CU56EG0025.jpg",
                   "simg": "http://img4.cache.netease.com/photo/0025/2014-07-28/A28RO5CU56EG0025.jpg",
                   "oimg": "http://img4.cache.netease.com/photo/0025/2014-07-28/A28RO5CU56EG0025.jpg",
                   "osize": {},
                   "title": "",
                   "note": "图中左侧为史前红山文化时期的黄玉太阳人，红山文化中祭祀活动盛行，太阳人可能是神话了祭师或首领，也可能是其信仰的神灵。",
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                ,
                {
                   "id": "A28RO8CF56EG0025",
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                   "timg": "http://img3.cache.netease.com/photo/0025/2014-07-28/A28RO8CF56EG0025.jpg",
                   "simg": "http://img3.cache.netease.com/photo/0025/2014-07-28/A28RO8CF56EG0025.jpg",
                   "oimg": "http://img3.cache.netease.com/photo/0025/2014-07-28/A28RO8CF56EG0025.jpg",
                   "osize": {},
                   "title": "",
                   "note": "除了用来表意和抒情，古人也将玉石制作成可以有实际用处的器具，不过玉石和工艺的好坏依然区分着皇家和民间用品。图为清代的双耳白玉熏炉。",
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                ,
                {
                   "id": "A28RO4GJ56EG0025",
                   "img": "http://img3.cache.netease.com/photo/0025/2014-07-28/A28RO4GJ56EG0025.JPG",
                   "timg": "http://img3.cache.netease.com/photo/0025/2014-07-28/A28RO4GJ56EG0025.JPG",
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                   "oimg": "http://img3.cache.netease.com/photo/0025/2014-07-28/A28RO4GJ56EG0025.JPG",
                   "osize": {},
                   "title": "",
                   "note": "清代乾隆年检的白玉仕女香水瓶，长4厘米、宽4厘米、高12厘米。发髻部分为活套设计，可以开启。  ",
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